Greetings, my fellow printmakers..... The time is upon us to celebrate some down time from inking ourselves up, pack up the pets and the kids, and head over to Grandma's house for some holiday fixin's. :) Artistically speaking, the holiday is never complete without a print or two, so i rounded up a few special items for your viewing pleasure. I also decided to give you a bit of information about the Thanksgiving story and how it evolved into a national holiday. Enjoy your family time, and if you cannot be with family, then hang out with your friends, or volunteer at a food pantry or shelter to help feed those less fortunate. Blessings to you all.
Thanksgiving Day was originally celebrated as a day of giving thanks for the blessing of the harvest. Prayers of thanks and special thanksgiving ceremonies are common among almost all religions after harvests. In Canada, it is celebrated on the second Monday of October, and in the United States it is celebrated on the fourth Thursday of November. Several cultures around the world observe similar celebrations.
The Thanksgiving holiday's history in North America is rooted in English traditions dating from the Protestant Reformation. Thanksgiving and special religious services became important during the English Reformation in the reign of Henry VIII and in reaction to the large number of religious holidays on the Catholic calendar. The holidays were to be replaced by specially called Days of Fasting or Days of Thanksgiving, in response to events that the Puritans viewed as acts of special providence. Special blessings, viewed as coming from God, called for Days of Thanksgiving. Thanksgiving days were also called following the victory over the Spanish Armada in 1588 and following the deliverance of Queen Anne in 1705.
The first Canadian Thanksgiving can be traced back to 1578 and the explorer Martin Frobisher, who had been trying to find a northern passage to the Pacific Ocean. He held his celebration in thanks for surviving the long perilous journey from England. On his third and final voyage to the far north, Frobisher held a formal ceremony in Frobisher Bay in Baffin Island (present-day Nunavut) to give thanks to God. The origins of Canadian Thanksgiving are also traced to the French settlers who came to New France with explorer Samuel de Champlain in the early 17th century, who celebrated their successful harvests, sharing food with the indigenous peoples.
As settlers arrived in Canada from New England, late autumn Thanksgiving celebrations became commonplace. New immigrants into the country—such as the Irish, Scottish, and Germans—also added their own traditions to the harvest celebrations. Most of the US aspects of Thanksgiving (such as the turkey), were incorporated when United Empire Loyalists began to flee from the United States during the American Revolution and settled in Canada.
In the United States, the Thanksgiving holiday tradition is traced to a 1621 celebration at Plymouth in Massachusetts. Pilgrims and Puritans who emigrated from England in the 1620s and 1630s carried with them the tradition of Days of Fasting and Days of Thanksgiving. According to some historians the Pilgrims may have been influenced by watching the annual services of Thanksgiving for the relief of the siege of Leiden in 1574. Leiden's autumn thanksgiving celebration in 1617 helped accelerate the pilgrims' plans to leave Europe. In America, religious thanksgiving services were declared by civil leaders. The practice of holding an annual harvest festival did not become a regular event in until the late 1660s.
During the American revolutionary period, political influences affected the issuance of Thanksgiving proclamations. As President of the United States, George Washington proclaimed the first nationwide thanksgiving celebration in America marking November 26, 1789, "as a day of public thanksgiving and prayer to be observed by acknowledging with grateful hearts the many and signal favors of Almighty God". In modern times the President of the United States, in addition to issuing a proclamation, will "pardon" a turkey, which spares the bird's life and ensures that it will spend the duration of its life roaming freely on farmland.
Earlier American religious Thanksgiving services were held by Spanish explorers in Texas at San Elizario in 1598, as well as thanksgiving feasts in the Virginia Colony. Some argue that the earliest Thanksgiving service in the United States was celebrated by the Spanish on September 8, 1565, in Saint Augustine, Florida. A day for Thanksgiving services was also codified in the founding charter of Berkeley Hundred in Charles City County, Virginia in 1619. The American holiday's true origin was the New England Calvinist Thanksgiving. Never coupled with a Sabbath meeting, the Puritan observances were special days set aside during the week for thanksgiving and praise in response to God's providence."
Thanksgiving in the United States was observed on various dates throughout history. Thanksgiving was first celebrated on the same date by all states in 1863 by a presidential proclamation of Abraham Lincoln. Lincoln proclaimed the date to be the final Thursday in November in an attempt to foster a sense of American unity between the Northern and Southern states. A nationwide Thanksgiving date was not realized until Reconstruction was completed in the 1870s. On December 26, 1941, President Franklin D. Roosevelt signed a joint resolution of Congress changing the national Thanksgiving Day from the last Thursday in November to the fourth Thursday.
Many of the Pilgrims who migrated to the Plymouth Plantation had resided in the city of Leiden from 1609–1620, and had recorded their births, marriages and deaths at the Pieterskerk (St. Peter's church). To commemorate this, a non-denominational Thanksgiving Day service is held each year on the morning of the American Thanksgiving Day in the Pieterskerk, a Gothic church in Leiden, noting the hospitality the Pilgrims received in Leiden on their way to the New World.
The Harvest Festival of Thanksgiving is traditionally held on or near the Sunday of the harvest moon that occurs closest to the autumnal equinox. Harvest Thanksgiving in Britain pre-dates Christianity when the Saxons would offer the first sheaf of corn to fertility gods. When the harvest was finally collected, communities would come together for a harvest supper. When Christianity arrived in Britain many traditions remained, and today Harvest Thanksgiving is marked by churches and schools in late September/early October (same as Canada) with singing, praying and decorating with baskets of food and fruit to celebrate a successful harvest and to give thanks. Collections of food are usually held which are then given to local charities which help the homeless and those in need.
Wishing you all a very happy holiday with loved ones, and hoping you enjoy a little of Mr. Turkey. Be well!
A place for talking about art, social issues, and most anything else I think THAT'S INKED UP.
Showing posts with label prints. Show all posts
Showing posts with label prints. Show all posts
Tuesday, November 22, 2016
Wednesday, February 8, 2012
Marwin Begaye's Warrior Messages on Unhealthy Addictions
Oklahoma artist Marwin Begaye's making some strong statements regarding unhealthy living and addictive eating habits. His are the type of images that get-in-your-face and speak the prophesy of our fast and furious lifestyle; that alcohol, drugs, smoking, and restaurant chains have obvious consequences = death.
Begaye utilizes the ever popular gang and subculture-induced tattoo imagery of skulls, Gothic lettering and visual messaging to communicate the evils of a hard and fast existence. His messages are multi-layered, and splashed with bright colors. Their complexity pulls in the viewer and lets his subliminal images settle into our collective subconscious, much in the same way that Pieter Bruegel the Elder's work did in the playfully moralistic "Fall of Icarus" painting from the 16th century.
The fun-loving skeleton in "Addiction 3" (above) is loaded with disarmingly bright color and deceptively beautiful script detailing a mantra of different addictions, and how the searingly comical cracked-skull skeleton can smoke, drink and be haloed by an assortment of heroin addicts' needles is inspired. Clearly, Begaye is trying to reach out with his work to grab peoples' attention easily seduced by this blatant form of gratification and rock band CD covers to think a little longer about the results of such frivolous pastimes.
Lastly, I enjoy Begaye's humorous and spirited reference to Albrecht Durer's Horseman of the Apocalypse, his "Mancmesaround", (above) where his horseman warrior wears Indian feathers, has an alcoholic beverage emblazoned on his shield and McDonald's crowning the top of his spear, while his masked steed tramples over a land strewn with discarded fast food wrappers and pop containers.
Begaye's scatheing viewpoint of the affects of our mass-marketed, logoed existence asks these questions, 'how will you hide from the fast food horseman?' and 'what are you willing to do to save yourselves from this drug-infested media blitz that surrounds our every move?' Only the junkies who are truly repentant can survive. Those zombied souls addicted to salt, sugar, caffeine, coffee, cigs, BK, McD's, alcohol, mj, h, and meth willingly follow the apocalyptic horseman as he rides across this diseased Earth. They don't know where the journey will end, because they can only seek the next high, the next buzz. As Begaye forewarns, what they don't see coming are the Gates of Hell.
Monday, October 17, 2011
Alison Filley expands the parameters of traditional printmaking in the Mid America Print Council 2011 Fall Members' show
Alison Filley's "Beyonce" multi-media print at the Mid America Print Council's 2011 Fall Members' Show is 'something else'. Printed onto flocked fabric, and applying silkscreen to more fabric with glitter, this sumptuous decorative artifact has taken to task and turned on its ear the notion that prints are only flat, two-dimensional pieces. Filley makes a bold departure from the tried and true methods of silkscreen and flat, embossed surfaces of intaglio, and collage in general. Her rich textures are surely candy for the eyes. The only thing is, what commentary is the print actually making? If there is a reference to the singer Beyonce, it's not transparent what that message may be, yet the departure is a welcome one, and will be enjoyed by those able to see it. Through January 6, 2012 at Kindlon Hall, 2nd floor, Benedictine University, 5700 College Rd., Lisle, IL. Contact: tparker@ben.edu for more information on this and other upcoming exhibitions.
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