Irving Amen, (1918-2011) influential printmaker, painter and sculptor, was born in New York City. He began to draw at the age of four, and at fourteen he earned a scholarship to study at the Pratt Institute, 1932-1939. During this period, he was inspired by the drawings of Michelangelo, and copiously studied his technique to perfect his own draftsmanship. He later studied at New York’s Art Students League, and the L’Academie Grande Chaumiere in Paris.
From 1942 to 1945 Amen served in the military during World War II, and did some mural work in Belgium and the Unites states during that period. After his service he returned to New York where he developed his craft in printmaking and painting. He worked primarily in relief and intaglio, often depicting themes of chess(and quite a nice series of them, too), portraits, music, Judaism and the story of Don Quixote.
Amen’s first print exhibition was at the New School for Social Research, and in 1949 he had a solo exhibition at the Smithsonian Institution. Later notable exhibitions included the Artists House in Jerusalem, the Library of Congress and the National Academy of Design.
Amen traveled to Italy in 1953 where he produced a large series of eleven woodcuts, eight etchings and a number of oil paintings. Note* “Piazza San Marco #4” and its four woodblocks, produced during this trip, are part of a Smithsonian Institution permanent exhibit on color block printing.
In the 1960s, Amen taught at the Pratt Institute and was a much beloved Instructor of Art at the University of Notre Dame, in South Bend, Indiana despite not having a degree. His travels in Israel, Greece and Turkey in 1960 also led to a retrospective show in Jerusalem. And in 1974, he was commissioned to illustrate The Epic of Gilgamesh in woodcuts, for the Limited Editions Club.
In his later years, Amen moved to Boca Raton, Florida where he lived and worked until Alzheimers’ affected his memory and he stopped teaching.
Amen’s style is largely reminiscent of the angular line and shapes found in German Expressionism artists like Karl Schmidt-Rotloff, Erich Heckel, and Max Pechstein, and the fractured Cubist-inspired works of Mauricio Lasansky and Robert Delaunay. His explorations in vibrant, expressive colors reflect an exuberance often found with Stanley William Hayter’s work whereas Amen’s works on religious and Jewish themes have a somewhat somber tone. Overall, his work speaks to the wonder and breadth of life, hope and intellect.
Amen’s work is included numerous major collections, including the following:
The Art Museum of Princeton
The Boston Museum of Fine Arts
The Butler Institute
The City of Philadelphia Public Library
The Corcoran Gallery
The Fogg Art Museum
The Jewish Museum, New York
The Judah L. Magnes Memorial Museum
The Metropolitan Museum of Art
The Museum of Modern Art
The New York Public Library
The Philadelphia Museum of Art
The Smithsonian Institution
The University of Notre Dame
Yale University Museum of Art
The Albertina Museum, Vienna
The Auckland City Art Gallery, New Zealand
The Bezalel National Museum, Jerusalem
The Biblioteque Nationale, Paris
The Biblioteque Royal, Brussels
The Statische Museum, Germany
The Victoria and Albert Museum, London
Society of American Graphic Artists
Society of American Graphic Artists
International Society of Wood Engravers
Peace Medal in honor of the Vietnam War
12 stained glass windows for the Agudas Achim Synagogue in Bexley, OH
Illustrations for The Epic of Gilgamesh, Limited Editions Club, 1974
Mantle Fielding Dictionary of American Painters, Sculptors and Engravers
Dictionary of Contemporary American Artists by Paul Cummings
Portrait of Irving Amen